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Bun-scrambling race tops colourful festival in Hong Kong
⏲ 1:41 👁 6.9M
'തൊണ്ടിമുതലും ദൃക്സാക്ഷിയും' എന്ന സൂപ്പർഹിറ്റ് ദിലീഷ് പോത്തൻ ചിത്രത്തിലെ ഒരു തകർപ്പൻ രംഗം..
⏲ 1 minute 31 seconds 👁 79.4K
Joji Bincy indirectly giving Idea
⏲ 1 minute 54 seconds 👁 77K
Shin Godzilla (2016)
⏲ 1:59:51 👁 1.3M
Thondimuthalum driksakshikalum [National Award winning] boy eating scene#
⏲ 18 seconds 👁 53.1K
Don't look at my face and say you are not my necklace.
⏲ 18 minutes 47 seconds 👁 46.4K
WHITE GOLD | Omeleto
⏲ 17:28 👁 1.8M
ഫഹദിന്റേയും ദിലീഷ് പോത്തന്റെയും ഒരടി പൊളി സീൻ😂😂| Malayam Top Advertisement Milma paal
⏲ 3 minutes 33 seconds 👁 50.4K
എനിക്ക് അനുവദിച്ചുകിട്ടിയ ഈ ജീവിതത്തില് ഞാൻ സംതൃപ്തനാ | Chandranudikkunna Dikkil | Climax Scene
⏲ 12 minutes 16 seconds 👁 740.8K
Best Mission in Rdr 2
⏲ 9:30 👁 20K
'വരത്തൻപട്ടിക്ക് ചോറ് കൊടുക്കരുത്' എന്നുപറഞ്ഞ മാപ്രാണി തറവാട്ടുകാരുടെ വായടപ്പിച്ച് എബി! #MovieTimes
⏲ 5 minutes 👁 738.3K
Kitchen Scene | Kumbalangi Nights | Fahadh Faasil | Grace Antony | Anna Ben
⏲ 3 minutes 34 seconds 👁 2M
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_bun-scrambling-race-tops-colourful-festival-in-hong-kong.webp "At the stroke of midnight on Thursday (May 16), 12 courageous participants scrambled up a 14-meter-high tower covered in 9,000 plastic buns, marking the climax of the Bun Festival on the outlying island of Cheung Chau in Hong Kong.<br/><br/>WATCH MORE: https://thestartv.com/c/news<br/>SUBSCRIBE: https://cutt.ly/TheStar<br/>LIKE: https://fb.com/TheStarOnline<br/>")
_39-39.webp "Asianet")
_joji-bincy-indirectly-giving-idea.webp "Maacho Entertainment")
![Shin Godzilla (シン・ゴジラ, Shin Gojira)[b] is a 2016 Japanese kaiju film directed by Hideaki Anno and Shinji Higuchi, with a screenplay by Anno and visual effects by Higuchi. Produced by Toho Pictures and Cine Bazar and distributed by Toho Co., Ltd., it is the 31st film in the Godzilla franchise, the 29th film produced by Toho, Toho's third reboot of the franchise,[8][9] and the first film in the franchise's Reiwa era.[c] It is the first reboot of a tokusatsu series to be adapted by Anno and Higuchi, followed by Shin Ultraman (2022) and Shin Kamen Rider (2023).[12] The film stars Hiroki Hasegawa, Yutaka Takenouchi, and Satomi Ishihara. In the film, politicians struggle with bureaucratic red tape in order to deal with the sudden appearance of a giant monster that evolves whenever it is attacked.](https://cdn4.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KFGMsrGSwFUMVFQAPFP1jEv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_shin-godzilla-2016.webp "Shin Godzilla (シン・ゴジラ, Shin Gojira)[b] is a 2016 Japanese kaiju film directed by Hideaki Anno and Shinji Higuchi, with a screenplay by Anno and visual effects by Higuchi. Produced by Toho Pictures and Cine Bazar and distributed by Toho Co., Ltd., it is the 31st film in the Godzilla franchise, the 29th film produced by Toho, Toho's third reboot of the franchise,[8][9] and the first film in the franchise's Reiwa era.[c] It is the first reboot of a tokusatsu series to be adapted by Anno and Higuchi, followed by Shin Ultraman (2022) and Shin Kamen Rider (2023).[12] The film stars Hiroki Hasegawa, Yutaka Takenouchi, and Satomi Ishihara. In the film, politicians struggle with bureaucratic red tape in order to deal with the sudden appearance of a giant monster that evolves whenever it is attacked.")
_thondimuthalum-driksakshikalum-national-award-winning-boy-eating-scene.webp "Yadhu Krishnan")
_don39t-look-at-my-face-and-say-you-are-not-my-necklace.webp "Poney Media Entertainment")
_white-gold-124-omeleto.webp "A woman with albinism wants revenge after a witch doctor hacks off her arm.<br/><br/><br/>WHITE GOLD is used with permission from Luke Bradford. Learn more at https://lukebradford.com.<br/><br/><br/>Mansa, a woman living with albinism in a village, set in an unnamed country in Africa. She lost one of her hands at an earlier age to the predations of a witch doctor named Natron, who mutilated her for his potions.<br/><br/>Mansa has had to live with the aftereffects of the violence, neglecting her work as a teacher and her role in the community. She is consumed with the idea of getting back at the man who treated her so inhumanely. She enlists her father to pose as a potential client to Natron, luring the witch doctor out of his home, where she can exact her revenge.<br/><br/>Written and directed by Luke Bradford, this Oscar-longlisted short thriller offers a propulsive, dynamic take on the plights of individuals with albinism in many African countries, who are believed by witch doctors to have magical properties and who hunt people with albinism down, mutilating them. It generates compelling suspense in following the plight of Mansa, who seeks revenge on the witch doctor and gets inside the headspace of someone traumatized by violence, who can't seem to shake its aftereffect.<br/><br/>The subject matter will be difficult and shocking to many, and through its energetic pace and vivid, dazzling visuals, the film offers a visceral and powerful way to enter into the issue and tap into the profound injustice of it all. We also get glimpses of the albinism community, and the way they must band together to feel accepted and safe -- and are set apart from mainstream life.<br/><br/>The narrative covers a lot of ground, needing to quickly establish the cultural context, relationships and characters. It crams a feature's worth of events into the short format, juggling many story elements, though it takes more time in a slightly slower, more internal middle section exploring Mansa's trauma and the way that resentment has twisted her emotions. <br/><br/>Actor Refilwe Modiselle's performance captures how the inhumanity she faced has scarred her, twisting her emotions into a bitter resentment and rage at what happened to her. But actor Aubrey Mmakola's performance as the witch doctor Natron captures the true horror of the plight of Mansa and others with albinism. Natron looks at Mansa in their re-encounter and sees nothing but a commodity, and the matter-of-factness of his dehumanization of her is chilling, pushing Mansa to the brink in an explosive climax.<br/><br/>It's tempting to think of the idea of mutilating people with albinism as savage, superstitious and barbaric, and not go deeper into why such practices persist in the cultures that hold these beliefs. But WHITE GOLD has a slight twist at its conclusion, one that offers some subtle commentary on why these beliefs persist. In some ways, the ending is even more disturbing than it appears at first because it demonstrates how deeply embedded such ideas are into the social fabric, and how poverty and a lack of options contribute to their endurance, despite education, morality or notions of human decency. The injustice at the heart of WHITE GOLD is clear, but the solution will be much more complicated to put in place.")
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_124-chandranudikkunna-dikkil-124-climax-scene.webp "Malayalam Classics")
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_39-39-movietimes.webp "Asianet Movies")
_kitchen-scene-124-kumbalangi-nights-124-fahadh-faasil-124-grace-antony-124-anna-ben.webp "BHAVANA STUDIOS")
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