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Bare Bones
⏲ 1 min 73 sec ✓ 25-Jul-2014
Bare Bones | Carlota Pradera
⏲ 2 minutes 48 seconds 👁 67
improvisation | carlota pradera | 2002
⏲ 3 minutes 12 seconds 👁 80
Harmonicum Accordion | Act l
⏲ 2 min 61 sec ✓ 14-Jul-2015
The Making of Bare Bones an interview with Carlota Pradera and Lazaro Godoy SD
⏲ 3 minutes 11 seconds 👁 64
looking back (work in progress) | carlota pradera | 2010
⏲ 9 minutes 7 seconds 👁 100
ProjectLIMB Reel 2014 (subtítulos en español)
⏲ 7 min 9 sec ✓ 14-Feb-2015
'Menu: Process | Interventions' visits 'Specific Obstacles' | Carlota Pradera, 2012
⏲ 9 minutes 18 seconds 👁 240
'LookingBack' filmed rehearsal | Carlota Pradera & Ilana Reynolds | 2010, Inkub8
⏲ 15 minutes 2 seconds 👁 216
Touch Me Hear: Experimental and Multimedia Performance
⏲ 2 min 4 sec ✓ 10-Jun-2013
Cantinflas en los billares \"No se hagan bolas\"
⏲ 5 minutes 22 seconds 👁 3.1M
Un tesoro en el cielo (1957)
⏲ 1 hour 32 minutes 33 seconds 👁 53.6K
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_bare-bones.webp "Bare Bones draws a metaphoric labyrinth representing the reality of the present we cannot escape. A present of who we are and are made of, where tender human encounter has a slight chance.nnArtistic Team_nCarlota Pradera & Lazaro Godoy_ GodoyPradera Projects: Directors, choreographers, performersnJuan Carlos Zaldívar: Artistic Director, visual artist, filmmakernJuraj Kojs: Composer, sound artistnRainer Davies: Co-composer, sound artist, live performernAlexey Taran: Lighting designer, stage")
_bare-bones-124-carlota-pradera.webp "Carlota Pradera")
_improvisation-124-carlota-pradera-124-2002.webp "Carlota Pradera")
_harmonicum-accordion-124-act-l.webp "Harmonicum Accordion | Act I nBy Lazaro Godoy (under GodoyPradera Projects arts umbrella)n(Here & Now 2015 commission by Miami Light Project)nnDirection & Choreography: Lazaro GodoynAssistant: Juan Maria Seller nPerformers: Mélanie Martel, Sangode Lowe, Carlota Pradera, and Lazaro GodoynComposers: Robert Blatt and Jorge Gómez (Eric Gottlieb piano collaboration)nCostume design: Belaxis Buil, seamstress: K. Blair BrownnVisual artist: Robert McKnightnnFootage by: GlassWorks MultiMedia, He")
_the-making-of-bare-bones-an-interview-with-carlota-pradera-and-lazaro-godoy-sd.webp "Artburst Miami")
_looking-back-work-in-progress-124-carlota-pradera-124-2010.webp "Carlota Pradera")
_projectlimb-reel-2014-subttulos-en-espaol.webp "Este es un montaje de 8 producciones que sucedió en diferentes ciudades de todo el mundo. El audio es de una entrevista con Gabriel Forestieri (Director Artístico de projectLIMB). Se incluyen una lista de producciones inlcuyendo fechas, fundido, y la ubicación. Todas las producciones coreografiadas por Gabriel Forestiernnel texto es de una entrevista con Joanna Ursal en MiamiinnPoelaert - Nov 2013 en la Place Poelaert en Bruxelles, BelgenIntérpretes - Paola Di Bella, Citlalli Avalos Montoya,")
_39menu-process-124-interventions39-visits-39specific-obstacles39-124-carlota-pradera-2012.webp "Carlota Pradera")
_39lookingback39-filmed-rehearsal-124-carlota-pradera-amp-ilana-reynolds-124-2010-inkub8.webp "Carlota Pradera")
![[From Press release]nTouch Me Hear is an experimental multimedia work developed last month at Inkub8 as a part of their generous Artist Residency. It was commissioned by Harvestworks Digital Media Arts Center (New York). The opus explores the relationship between touch, sound and movement. Body parts and its extensions such as hair and clothes become performable musical instruments. From skin sensations to complex digital tactile simulations, the piece exposes disappearing awareness between what](https://cdn8.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol80AQNlZGpkZwtgMTDmZQR_ZQOuZwuyBTWvZGV-AmRjMGD_BTR_ZzAuATAuBJL3BQLlAzL0AJH5ATH0MTAyMQMzZ_H-ZQWwMwL0Lv1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysAQDjZwR3ZGV-YJExZmNkAwNjLGV-MGuvLwRlBQpkZTH0AwuuAwWwLGEwLGyzAmt_ZwMzAQIyBGEyATEwMJD_MwAyBQNlL_L_ATVgMP0lZQO-ZGHj/(HiFiMov.co)_touch-me-hear-experimental-and-multimedia-performance.webp "[From Press release]nTouch Me Hear is an experimental multimedia work developed last month at Inkub8 as a part of their generous Artist Residency. It was commissioned by Harvestworks Digital Media Arts Center (New York). The opus explores the relationship between touch, sound and movement. Body parts and its extensions such as hair and clothes become performable musical instruments. From skin sensations to complex digital tactile simulations, the piece exposes disappearing awareness between what")
_cantinflas-en-los-billares-9234no-se-hagan-bolas9234.webp "Mario López")
_un-tesoro-en-el-cielo-1957.webp "cine religioso")
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