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Ivan Cornejo has returned to Genius, gracing the Open Mic stage with his latest hit “Baby Please.” Produced by Frank Rio, the single soared to number 8 on the Billboard Hot Latin Songs chart. This marks the singer-songwriters second single, following the success of “Está Dañada,” to break into the top 10 on the chart. Fresh off headlining the Houston Rodeo, the 19-year-old sensation continues to captivate audiences with his soul-soothing music, solidifying his status as a rising superstar in the making.
⏲ 3:8 👁 16.1M
Feel the Beat
⏲ 36 minutes 13 seconds 👁 3.6M
Sony Music India
⏲ 3 minutes 45 seconds 👁 1.1M
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 280K
Indie Music Label
⏲ 4 minutes 53 seconds 👁 8.2M
Indie Music Label
⏲ 3 minutes 44 seconds 👁 116.9M
Audio Credits: ️<br/>Song - Kasoor<br/>Singer - Sampreet Dutta <br/>Music - Sampreet Dutta <br/>Lyrics - Sampreet Dutta<br/>Music Arrengement - Chandraniv<br/>Sound Engineer - Tarun Das<br/>Mix & Master - Tarun Das<br/>Recording Studio - Violina, Kolkata, India.<br/>Digital Partner - Violina Web Services Pvt. Ltd.<br/><br/>Video Credits : <br/>Producer-SURAIYA KHAN <br/>Starring- Sampreet / Srijita<br/>Director & DOP - Bijay Ghosh<br/>Edit & Color - Piku (Bijay Creative Studio)<br/>Makeup Artist - Anny<br/>Asist - Guddu <br/>Thumbnail - GK<br/>Audio Poster - GK
⏲ 4:10 👁 135K
Indie Music Label
⏲ 2 minutes 58 seconds 👁 42.3M
Indie Music Label
⏲ 4 minutes 12 seconds 👁 82.4M
Well folks, it happened. As the world has watched the 2024 Oscar winners crowned in real-time, the performances of the nominees for “Best Original Song” have kept the Ken-ergy up and running. And when it came time for Ryan Gosling to sing Barbie’s “I’m Just Ken,” the reactions from Margot Robbie and Billie Eilish were so hysterical, that it was almost better than the performance. <br/><br/>Of course, their shocked and laughing faces mirrored what basically everyone was thinking before Gosling’s song and dance number at L.A.’s Dolby Theatre really got going. After Robbie, Greta Gerwig and Eilish's amazing reactions, the pink-suited singer took the stage with several of his co-Kens from the Barbie cast, including Kingsley Ben-Adir, Simu Liu, and Ncuti Gatwa, the Barbie theatrics really took off. And yes dear fans, the chant of “Can you feel the Ken-ergy?” was kept in the live show.
⏲ 3:15 👁 835K
Indie Music Label
⏲ 2 minutes 51 seconds 👁 11.4M
Sony Music India
⏲ 4 minutes 22 seconds 👁 38.3M
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