Raz Dee : INSTAGRAM 📷 | Bangla R&B 2017 | Official Lyrics Video from gangster babyngla rnb com Watch Video

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KGF: Chapter 2' is a tale from history. Once it completes its theatrical run, the two-part franchise is sure to make history in Kannada cinema.<br/><br/>It had been over three years since the gripping underdog story of Rocky ended on a cliffhanger. Minutes before the title card comes on screen, director Prashanth Neel makes us ready for what to expect from the follow-up of the blockbuster 'KGF: Chapter 1'. In a jaw-dropping opening scene, he shows how his passion and grandeur of scale are still intact.<br/><br/>Rocky bhai, the dreaded gangster, has full control of KGF after his epic elimination of Garuda, son of Suryavardhan, the heir of the gold fields. But once you own one of the most precious pieces of land, you are sure to face the heat of people with power. In comes Adheera (Sanjay Dutt), Suryavardhan's brother, and Ramika Sen (Raveena Tandon), the prime minister of India.<br/><br/>For the first 20 minutes, the film rides on an intense tempo with many characters slowly finding their places in the plot. In the build-up to the interval, Neel strikes a surprise that none of us can predict. And then, 'KGF: Chapter 2' takes an almighty leap.<br/><br/>Neel's freaky ideas are ridiculously uncompromising. He has the confidence to translate his wacky and even over-the-top thoughts on screen in an enjoyable fashion. Two scenes that bring the roof down with this kind of approach are the one inside a police station and Rocky's second big face-off with Adheera. Giving company to Neel's outrageous verve is Ravi Basrur's score, which keeps our blistering excitement at the highest level. Cinematographer Bhuvan Gowda completes the technical department triumvirate with his visuals of breathtaking appeal.<br/><br/>One sharp criticism of 'KGF: Chapter 1' was that it unabashedly celebrated machismo with little emphasis on conflicts. However, this film is never a one-man show as it shows Rocky consistently challenged by his rivals. He is also no longer invincible. His vulnerability makes him slightly emotional and even pushes him to think smart to defeat his powerful foes.<br/><br/>Neel's writing triumph lies in how we are completely accustomed to his fiery attitude of Rocky. His character graph gets interesting as Rocky becomes greedy and selfish. His relentless pursuit of fulfilling his mother's wishes might unsettle us but that makes the character authentic. It does justice to the film's idea of a powerful people making places powerful.
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#GangsofWasseypur<br/>A clash between Sultan and Shahid Khan leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.<br/>Sardar sets out to avenge his father who was murdered by Ramadhir Singh, a cunning politician and mining kingpin. In the ensuing war, many unresolved family feuds erupt creating unrest.<br/>Prologue In January 2004 , a gang of heavily armed men scour and finally narrow down on a house in Wasseypur. They surround the house and unleash a wave of bullets and grenades on it with the intention of killing the family inside it. After heavy firing on the house, they retreat from the crime scene in a vehicle, convinced they have killed everyone within. The leader of the gang then calls J.P. Singh on his cell phone and reports that the family has been successfully executed but he is double crossed by JP Singh as a fire fight erupts between them and a police check post blocking their escape route. The scene cuts abruptly for a prologue by the narrator, Nasir. The whole scene is then revealed in the sequel.<br/><br/>Introduction of Wasseypur and Dhanbad Nasir's narration describes the history and nature of Wasseypur. During the British Raj, Wasseypur and Dhanbad were located in the Bengal region. After India gained its independence in 1947, they were carved out of Bengal and redistricted into the state of Bihar in 1956. In 2000, Wasseypur and Dhanbad were redistricted for a second time into the newly formed state of Jharkhand where they remain. The village has been historically dominated by the Qureshi Muslims, a sub-caste of animal butchers who are feared by the non-Qureshi Muslims living there and Dhanbad by extension.<br/><br/>During British colonial rule, the British had seized the farm lands of Dhanbad for coal which began the business of coal mining in Dhanbad. The region was a hotbed of the local faceless robber Sultana Qureshi who robbed British trains in the night and thus held some patriotic value for the locals.<br/><br/>1940s In 1941 , Shahid Khan (Jaideep Ahlawat), a Pathan, takes advantage of the mysteriousness of the faceless robber Sultana, a Qureshi, by impersonating his identity to rob British ferry trains. The Qureshi clans eventually find out and order the banishment of Shahid Khan and his family from Wasseypur. They settle down in Dhanbad where Shahid begins work as a laborer in a coal mine. He is unable to be at his wife's side during childbirth, and she dies. The enraged Shahid kills the coal mine's muscleman who had denied him leave on that day. In 1947, independent India begins to assert its authority over itself. The British coal mines are sold to Indian industrialists and Ramadhir Singh (Tigmanshu Dhulia) receives a few coal mines in the Dhanbad region. He hires Shahid Khan as the new muscleman of one of the coal mines. Shahid terrorizes the local population to seize their lands and extract compliance.
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The Irishman (titled onscreen as I Heard You Paint Houses) is a 2019 American epic gangster film directed and produced by Martin Scorsese from a screenplay by Steven Zaillian, based on the 2004 book I Heard You Paint Houses by Charles Brandt.[4] It stars Robert De Niro, Al Pacino, and Joe Pesci, with Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Stephanie Kurtzuba, Jesse Plemons, and Harvey Keitel in supporting roles. The film follows Frank Sheeran (De Niro), a truck driver who becomes a hitman involved with mobster Russell Bufalino (Pesci) and his crime family before later working for the powerful Teamster Jimmy Hoffa (Pacino). The film marked the ninth collaboration between Scorsese and De Niro, in addition to Scorsese's fourth collaboration with Joe Pesci; his first with Al Pacino; the fourth collaboration between Pacino and De Niro; and the first collaboration between Pacino and Pesci altogether.
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